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Recorded Poems

All poems were read in 2009 and are reproduced below as edited by Ralph W. Franklin’s The Poems of Emily Dickinson Reading Edition (Cambridge, MA: The Belknap Press of Harvard University Press, 1999).  Dickinson did not title her poems. The numbers assigned are Franklin’s, indicating his best judgment as to the chronological order in which Dickinson wrote them.

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I’m Nobody! Who are you?
Are you – Nobody – too?
Then there’s a pair of us!
Don’t tell! they’d advertise – you know!

How dreary – to be – Somebody!
How public – like a Frog –
To tell one’s name – the livelong June –
To an admiring Bog!                           (P 260)

I'm Nobody

 

She sights a Bird – she chuckles –
She flattens – then she crawls –
She runs without the look of feet –
Her eyes increase to Balls –

Her Jaws stir – twitching – hungry –
Her Teeth can hardly stand –
She leaps, but Robin leaped the first –
Ah, Pussy, of the Sand,

The Hopes so juicy ripening –
They almost bathed your Tongue –
When Bliss disclosed a hundred Toes –
And fled with every one -                  (P 351)

 

She sights a bird

 

A Bird, came down the Walk –
He did not know I saw –
He bit an Angle Worm in halves
And ate the fellow, raw,

And then, he drank a Dew
From a convenient Grass –
And then hopped sidewise to the Wall
To let a Beetle pass –

He glanced with rapid eyes,
That hurried all abroad
They looked like frightened Beads, I thought,
He stirred his Velvet Head. –

Like one in danger, Cautious,
I offered him a Crumb,
And he unrolled his feathers,
And rowed him softer Home –

Than Oars divide the Ocean,
Too silver for a seam,
Or Butterflies, off Banks of Noon,
Leap, plashless as they swim.             (P 359)

 

A bird came down the walk

 

Alone and in a Circumstance
Reluctant to be told
A spider on my reticence
Assiduously crawled

And so much more at Home than I
Immediately grew
I felt myself a visitor
And hurriedly withdrew

Revisiting my late abode
With articles of claim
I found it quietly assumed
As a Gymnasium
Where Tax asleep and Title off
The inmates of the Air
Perpetual presumption took
As each were special Heir –
If any strike me on the street
I can return the Blow –
If any take my property
According to the Law
The Statute is my Learned friend
But what redress can be
For an offence nor here nor there
So not in Equity -
That Larceny of time and mind
The marrow of the Day
By spider, or forbid it Lord
That I should specify -                        (P 1174)

 

Alone and in a circumstance

 

Blazing in Gold and quenching in Purple
Leaping like Leopards to the Sky
Then at the feet of the old Horizon
Laying her Spotted Face to die
Stooping as low as the Otter’s Window
Touching the Roof and tinting the Barn
Kissing her Bonnet to the Meadow
And the Juggler of Day is gone                      (P 321)

 

Blazig in gold

 

To pile like Thunder to it’s close
Then crumble grand away
While everything created hid
This – would be Poetry –

Or Love – the two coeval come –
We both and neither prove –
Experience either and consume –
For none see God and live -                (P 1353)

 

To pile like thunder

 

“Faith” is a fine invention
For Gentlemen who see!
But Microscopes are prudent
In an Emergency!                                (P 202)

 

Faith is a fine invention

 

This World is not conclusion.
A Species stands beyond –
Invisible, as Music –
But positive, as Sound –
It beckons, and it baffles –
Philosophy, dont know –
And through a Riddle, at the last –
Sagacity, must go –
To guess it, puzzles scholars –
To gain it, Men have borne
Contempt of Generations
And Crucifixion, shown –
Faith slips – and laughs, and rallies –
Blushes, if any see - 
Plucks at a twig of Evidence –
And asks a Vane, the Way –
Much Gesture, from the Pulpit –
Strong Hallelujahs roll –
Narcotics cannot still the Tooth
That nibbles at the soul -                     (P 373)

 

This world is not conclusion

 

Because I could not stop for Death –
He kindly stopped for me –
The Carriage held but just Ourselves –
And Immortality.

We slowly drove – He knew no haste
And I had put away
My labor and my leisure too,
For His Civility –

We passed the School, where Children strove
At Recess – in the Ring –
We passed the Fields of Gazing Grain –
We passed the Setting Sun –

Or rather – He passed Us –
The Dews drew quivering and Chill –
For only Gossamer, my Gown –
My Tippet – only Tulle –

We paused before a House that seemed
A Swelling of the Ground –
The Roof was scarcely visible –
The Cornice – in the Ground –

Since then ‘tis Centuries – and yet
Feels shorter than the Day
I first surmised the Horses’ Heads
Were toward Eternity -                       (P 379)

 

Because I could not stop for death

 

I felt a Funeral, in my Brain,
And Mourners to and fro
Kept treading – treading – till it seemed
That Sense was breaking through –

And when they all were seated,
A Service, like a Drum –
Kept beating - beating – till I thought
My mind was going numb –

And then I heard them lift a Box
And creak across my Soul
With those same Boots of Lead, again,
Then Space – began to toll,

As all the Heavens were a Bell,
And Being, but an Ear,
And I, and Silence, some strange Race
Wrecked, solitary, here –

And then a Plank in Reason, Broke,
And I dropped down, and down –
And hit a World at every plunge,
And Finished knowing – then -                      (P 339)

 

I felt a funeral in my brain

 

Wild nights – Wild nights!
Were I with thee
Wild nights should be
Our luxury!

Futile – the winds –
To a Heart in port –
Done with the Compass –
Done with the Chart!

Rowing in Eden –
Ah – the Sea!
Might I but moor – tonight –
In thee!                                                (P 269)

 

Wild Nights

 

I measure every Grief I meet
With narrow, probing, eyes –
I wonder if It weighs like Mine –
Or has an Easier size –

I wonder if They bore it long -
Or did it just begin -
I could not tell the Date of Mine –
It feels so old a pain –

I wonder if it hurts to live –
And if They have to try -
And whether – could They choose between -
It would not be – to die -

I note that Some – gone patient long -
At length, renew their smile -
An imitation of a Light
That has so little Oil -

I wonder if when Years have piled –
Some Thousands – on the Harm –
That hurt them Early – such a lapse
Could give them any Balm –

Or would They go on aching still
Through Centuries of Nerve –
Enlightened to a larger Pain –
In Contrast with the Love –

The Grieved – are many – I am told –
There is the various Cause –
Death – is but one – and comes but once –
And only nails the Eyes –

There’s Grief of Want – and Grief of Cold –
A sort they call “Despair” –
There’s Banishment from native Eyes –
In sight of Native Air –

And though I may not guess the kind –
Correctly – yet to me
A piercing Comfort it affords
In passing Calvary –

To note the fashions – of the Cross –
And how they’re mostly worn –
Still fascinated to presume
That Some – are like my own –                      (P 550)

 

I measure every grief

 

There came a Wind like a Bugle –
It quivered through the Grass
And a Green Chill upon the Heat
So ominous did pass
We barred the Windows and the Doors
As from an Emerald Ghost –
The Doom’s Electric Moccasin
That very instant passed –
On a strange Mob of panting Trees
And Fences fled away
And Rivers where the Houses ran
Those looked that lived – that Day –
The Bell within the steeple wild
The flying tidings told –                  [no stanza break]
How much can come
And much can go,
And yet abide the World!                   (P 1618)

 

There came a wind

 

READERS (as of 2009)
Elizabeth Miller is a first-year student at Smith College in Northampton, Massachusetts.  She attended Nichols High School in Buffalo and was active in theater, choir, and dance.

Cristanne Miller is Chair of the English Department at the University at Buffalo and a Dickinson scholar.  Among other books she has published Emily Dickinson: A Poet’s Grammar (Harvard University Press, 1987) and Comic Power in Emily Dickinson (with Suzanne Juhasz and Martha Nell Smith, University of Texas Press, 1994), and she co-edited The Emily Dickinson Handbook (with Gudrun Grabher and Roland Hagenbüchle, University of Massachusetts Press, 1998). She also now edits The Emily Dickinson Journal.